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Samsara’s Sing Sing (Soirusical the Sequel) Punishment for crimes against theatre!

  • Digital Event
  • Wheelchair Access
  • Victoria
  • Aural Rating 75%
  • Physical Distance Rating 100%
  • MA 15+ - Restricted to audiences 15 and older
Theatre
An animated image. Deep blue of night in the woods frames a huge golden moon is centre and reflected in a puddle of water at the bottom. Silhoetted in the moon is a pair of campers. The one on the right is playing a guitar. The one on the left is roasting a marshmallow over a campfire. The words Samsara's Soiree swirl at the top of the image in red.
  • Festival Icon
Musical Theatre  |  Comedy  |  Drama
Pushing The Comfort Zone
  • Created by: Samsara
  • Composer: MBRYO (theme music)
  • Image Credit: Josh Hayes

And they lived happily ever after... except for ending up in prison!
As Celestial Prince and Stardust Miss rode off into the sunset in Samsara's Soirusical little did they know their journey would end with Stardust Miss doing hard time in Sing Sing for crimes she didn't commit. Lucifer is still in hot pursuit and Devil Woman finds God. The Poi Princess is keeping fit behind bars and The Wench has a cunning plan for escape. Is love really all you need? Will The Wench ever work out how to use Zoom? Does anyone have tweezers?
Join us to find out just how far the bounds of possibility can be stretched in Samsara's Sing Sing. From the team that brings you Samsara’s Soiree and the podcast Samsara’s Dramas, SAMSARA’S SING SING is Soirusical the sequel.

Warning: Contains strobe lighting, frequent coarse language, potentially triggering content or themes, including Sexual Harassment,Drug use,Alcohol Use,Mental Health, Imprisonment

Reviews

"Awesome" - Yolanda Beach (Samsara's Soiree 6 September)
"By transplanting Canberra for Venice and Kevin07 for the Moor, Samsara’s cleverly re-imagined Shakespearean world of endless intrigue and eternal paranoia is injected with steroids and shaped into political satire with Elizabethan in-jokes."- Paul Ransom (Othello: Death Poll 2013)
"The audience received it well, and its reliability heightened it to a cathartic level, with certain lines resonating in my mind." - Casey Bradley (The Gentleman and The Thief 2012)